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Traditionally, there are two approaches by which the Chinese learn
calligraphy - and they work together. One is to actually trace finished
calligraphy to get a feel for stroke movement and control. The second
is to emulate the works of masters until your technique is developed
enough to begin working on a style all your own.
Chinese Calligraphy is an art form as well as a physical exercise. As an
artist, either in brush painting or calligraphy, you must learn to channel
your emotional and physical energy into your artwork- and calligraphy
can help you do just that. As you focus on the ink and the paper, on the
strokes and the forms, the energy within takes shape, moving from the
center of your being through your body and onto your paper. Seasoned
calligraphers can tell you, this process becomes highly personal and
the discoveries made along the way translate into a writing style all
your own – something that reflects the subtleties of who you are. Thus
learning calligraphy has the three-fold potential of not only making
you a calligraphic artist and more literate, but a better brush artist as
well, in either of the traditional styles be it Gong-bi(fine line) or Hsieh-i(spontaneous)
style painting.
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If you are using bottled ink, there is no preparation necessary. For the traditional
method of ink stick to grinding stone, pour 1/4 to 1/2 teaspoon of water into the grinding stone/slate. Hold the ink stick upright and with firm force grind the ink stick against the stone in a circular motion.
The ink you produce should have a cream-like consistancy (if not use more or less water).
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 Figure A - Exemplifies the correct positioning of the body when executing calligraphy while seated; this is usually the best position for beginners. Start by sitting straight up in your chair, feet flat on the floor,brush perpendicular to the table, and drawing arm off the table.
 Figure B - Use the grip shown whether you are sitting or standing. Again, your brush should be mostly vertical.
 Figure C - As your technique improves, advance to the standing position. This will free you to do larger shapes and freer strokes. Again, hold the brush as shown.
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